Collection: Fernando Fernández Granada

Once again, figuration and abstraction come together in the work of Fernández Granada to capture the universe of his paintings, the narratives of his inner life. Validated by his rich chromatic values, excellent drawing, and precise sense of composition, he now speaks to us about what is perhaps the most essential and enduring trait of our condition throughout history: transhumance. The endless movement of people and civilizations across the geographies of the world and spirit; their defeats, conquests, all their joy, and the intricate labyrinth of their passions and labors.

In the mysterious atmospheres of his works, arising from the laborious solitude of his workshop, it is not easy to discern if the world he shows us is on this side or the other side of the mirror; the mirror is the mind, the bridge that connects or breaks on the journey from our interior to our body. As in dreams, the recognizable images of men, animals, and objects parade, relating to each other in improbable forms that, like certain also unusual encounters of words in poetry, clearly indicate that they would like to reveal something to us